historiography | Heterodoxology

New Antiquities – conference review at Albion Calling

There was a conference in Berlin last month that I would have loved to visit: New Antiquities: Transformations of the Past in the New Age and Beyond. This event conceived by Dr. Dylan Burns and Dr. Almut-Barbara Renger is on a topic that I think deserves a lot more attention than it’s being awarded: the diverse uses of the historical past to construct new forms of practice, tradition, aesthetic and worldviews.

Well, we know a great deal already about the invention of tradition, of course. What would be really cool is to get archaeologists, classicists, historians, philologists and other experts of “what really happened” (or the best current approximations, anyway) to talk with those who study the imagined past (what’s sometimes called “mnemohistory” – the history of how the past is remembered). Something along those lines is what this conference aimed to do. One of the reasons why the task is crucial is that, unavoidably, the access that those who construct the past have to the past, goes eventually through scholarship – often, to be sure, outdated scholarship, and often, too, scholarship that has been filtered through other channels such as popular culture – or the less than reliable akashic records. Getting experts of the contemporary and the ancient to talk together thus seems a mutually enriching opportunity, especially for theorizing the role of scholars in the discursive production of the past and of invented traditions.

For those of us who missed that opportunity this time, there is a nice little review of the conference over at Albion Calling. Ethan Doyle White gives a good summary of the speakers and the topics they treated, with a specific focus on issues relating to contemporary paganism. Go read it.

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on July 18, 2014 at 8:36 pm Comments (3)
Tags: Albion Calling, Almut-Barbara Renger, appropriation, Dylan Burns, Ethan Doyle White, historiography, invention of tradition, mnemohistory, neopaganism, New Antiquities, popular culture

The (all too) secret history of Vril

Julian Strube’s first book, Vril, becomes a standard reference for knowledge about this peculiar concept and its even more peculiar history.

It is astonishing how much of modern occultism is dependent on works of fiction. The machinations of secret societies, the malicious rituals of satanic cults, and the magicians’ adventures on the astral plane have all been portrayed in great detail in works of fiction, which have in turn directly influenced the creation of real organisations and inspired new ritual practices among self-styled occultists. The entire current of Rosicrucian initiatory societies even had its main impetus in a text considered by its authors to be a playful ludibrium – although no doubt one that expressed deep convictions. This dynamic of fiction turning to fact is itself perhaps nowhere better explored than in Umberto Eco’s work of fiction, Foucault’s Pendulum. In recent years there has been quite some interest in such dynamics among contemporary scholars of religion as well – focusing on what they call “invented”, “hyperreal”, or “fiction-based” religions. While these scholars tend to focus on relatively recent cases – Jediism, Tolkien-spirituality and the sort – we have every reason to believe that this is a much older process. Particularly, it would seem, in the Western esoteric context.

A case in point is the concept of “vril” – an occult fluid or force that can be manipulated, controlled and directed by spiritually advanced initiates. It was invented by the the author and politician Edward Bulwer-Lytton (1803-1873) in his novel, The Coming Race (1871).

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